Archives for posts with tag: The Brooklyn Rail

 …if you’re female, or female-presenting, or if you’re queer, or a person of color, we have made a lot of inroads in a lot of different fields, businesses, but we are in no way where we should be—where we deserve to be.”

-Lola Flash

 

Lola Flash’s retrospective at Pen + Brush, 1986 to Present, honors creative activism at its finest.

As a queer black woman, Flash, at age 59, has used the medium of photography and photographic processes to confront the dual injustice of invisibility and stereotypical portrayals of gender, sexuality, race, and age for over three decades. Her portraits, many of which were taken with a 4×5 camera, serve to capture those in her communities who are often overlooked. Beginning in 1986, Flash documented her involvement with the AIDS Coalition to Unleash Power (ACT UP) demonstrations and also employed cross-color film processing to reverse the printed photograph’s colors—further illuminating how one person’s blue-sky can be another’s fire-red horizon.

Now on view, Flash’s “Cross-Color” series presents a new world to behold, where black is white and what’s usually identifiable is obscured, exhibited alongside five portrait series, in which Flash invites viewers to see her world, her communities of individuals, in all their unique specificity. The “[sur]passing” series explores the spectrum of race; “surmise” captures fluid presentations of gender; SALT challenges ageism; LEGENDS spotlights leaders of the LGBTQ+ movement; and Incarceration, a singular self-portrait, is the inaugural piece in a series about the mass imprisonment of people of color. Together, this historic retrospective of seventy-one photographs spans a life of advocacy that Flash explains can be united by a simple message: “Look at us,” she implores, “How can you not love us?”

“A lifetime of creative activism needs honoring,” author Juno Roche, writes in the catalog accompanying the photography exhibition, and “needs acknowledgement and celebration.” Pen + Brush, the expansive gallery and organization that has been dedicated to championing women in the arts for over a century, is doing just this by kicking off 2018, another year of resistance, with the Lola Flash Retrospective, now on view through March 17, 2018.

Read our conversation at The Rail.

The Brooklyn Rail, March 2017

In the March issue of The Brooklyn Rail, I review Garrard Conley’s memoir, Boy Erased, about surviving “gay conversion” therapy.

Practices claiming to convert sexual orientation or gender identity and to cure the mental illnesses or developmental disorders that purportedly cause same-sex attraction have been banned in five states and the District of Columbia. Medical, psychological, and therapeutic institutions, across the board, condemn these practices, declaring their offerings fraudulent and abusive.

Advocates for religious liberties counter that conversion therapy is a form of speech and thereby protected under the Constitution’s First Amendment. In addition to conversion practices being deeply rooted in Christian religious expression, involving group fellowship and personal testimony, “ex-gay” therapy is also modeled after a twelve-step program and similarly includes interventions, talk therapy, and mutual support. Alcoholics Anonymous and other twelve-step programs are legal.

Why is conversion therapy different?

Conley offers his first-person account of this closeted world. In Boy Erased, Conley reveals the practices of Love in Action, the fundamentalist Christian organization, led by John Smid, where “the sins of homosexuality” are equated with addictions, such as alcoholism and gambling, and evangelist leaders preach the God-ordained steps to curing “sexual addictions.”

For further insight, Conley provided his handbook outlining The Twelve Steps — Tools for Personal Change to The Rail for review. To read my full review that interweaves these steps with Conley’s experience, please pick up a copy of The Rail or see On “Gay Conversion” Therapy.

Alternatively, bear witness to the twelve steps and evaluate their therapeutic value for yourself.

The Twelve Steps — Tools for Personal Change

  1. We admitted we were powerless over homosexuality and compulsive sexual behavior — that our lives had become unmanageable.
  2. Came to believe that Jesus Christ could restore us to sanity.
  3. Made a decision to turn our will and our lives over to the care of Jesus Christ.
  4. Made a searching and fearless moral inventory of ourselves.
  5. Admitted to our Heavenly Father, to ourselves, and to another human being the exact nature of our wrongs.
  6. Were entirely ready to have our Heavenly Father remove all these defects of character.
  7. Humbly asked Him to remove our shortcomings.
  8. Made a list of all persons we had harmed, and became willing to make amends to them all.
  9. Made direct amends to such people whenever possible, except when to do so would injure them or others.
  10. Continued to take personal inventory and when we were wrong, promptly admitted it.
  11. Sought through prayer and meditation to improve our relationship with Jesus Christ, praying only for the knowledge of His will for us and the power to carry it out.
  12. Having had the spiritual awakening as a result of these steps, we carry this message to others, and practice these principles in all our affairs.

A review of two books about “How to Treat Intersex People” in the Brooklyn Rail.

Galileo’s Middle Finger: Heretics, Activists, and the Search for Justice in Science (Penguin Press, 2015) by Alice Dreger

None of the Above (Balzer + Bray, 2015) by I. W. Gregorio

Galileo’s Middle Finger by Alice Dreger

None of the Above by I. W. Gregorio

Intersex people have been mistreated for a long time. Two doctors—one a professor, the other a surgeon—wrote books to shine light on this injustice.

In Galileo’s Middle Finger, Dr. Alice Dreger, a professor of clinical medical humanities and bioethics at Northwestern University, examines the enduring history of unethical medical practices imposed on intersex patients. Surgeon, Dr. I. W. Gregorio, tells a story about a teenager discovering she is intersex in the young adult novel, None of the Above.

These two books represent vastly different literary genres and readers, yet together they confront the pervasive lack of knowledge about intersex people and their systemic mistreatment in medical institutions and in society at large.

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