Archives for posts with tag: Art

Innominate means not named or classified. The word has been used to describe human arteries, veins, bones, and currently an exhibition about healing. Heather Bradley’s innominate at form & concept is a body of works, including a collection of Arterial, Spinal, and Handheld clay pieces, as well as text art.

Amy Deneson Heather Bradley innominate

“innominate” by Heather Bradley at form & concept on 9.23.17

Dozens of black, white, and red pieces cover a 30-foot wall. Circular red pods, symbolizing blood droplets and reminiscent of traditional seed jars, dot. Vessels with tall necks take on the look and feel of vertebra, some with glaze scraped bare. Black-and-white porcelain pages, transcribed from her diary, tell a story of seeking. Text art spells out:

pain

wound

circulatory

Heather explains that her work is representative of whatever she is presently going through in life. When she created innominate, she was learning to be a massage therapist and recovering from a spinal injury (severe enough that she was advised to stop throwing pottery).

Amy Deneson Heather Bradley bonessacral

pressure

choose

She kept creating and learning to heal with her hands. The clay began to take the form of her spine—readjusting—and her body flowing—spinning beneath—transformative touch.

I love this expression of clay. I appreciate how physical it is–how, literally, to the core the work goes. As a potter and a writer, I empathize with the story Heather’s sharing, and this collection deeply moved me. I’m so glad to have caught the exhibition during a day trip to Santa Fe, New Mexico.

Since, this collection has become something else. I learned during my visit that innominate would be transformed on the following Monday.

Amy Deneson Heather Bradley clay flowwrite

clay

erase

flow

 

During our conversation for The Rail about her current exhibition, Kay and I swerved onto the topic of art as activism.

Kay has used her artwork as a platform for advocacy for decades. In the current collection, Kay pointed to Trickle Down (2015) being a sharp criticism of the erroneous economic theory.

I brought up a few personal favorites, including a piece outside of the collection, “I Owe You” (2007).

“I Owe You” (2007) colored pencil on paper by Kay Rosen

 

Kay brightened and mentioned that she revived this work for a retrospective of her letterpress work for the Barbara Krakow Gallery, Kay Rosen: The Complete Letterpress Works, 1984-2017.

Originally, Kay created “I Owe You” to express resistance to the Energy Transfer Partners’ efforts to build the Dakota Access Pipeline less than one mile from the Standing Rock Sioux reservation.

“Standing Rock really got to me,” she said. “Mistreatment of Native Americans goes back so far, and it is ongoing with other tribes.”

We marveled at the coincidence that IOU is in the middle of Sioux.

“Right in the heart of the word!” Kay exclaimed. “It is so amazing to me when this happens,” she continued. “The message is embedded in the name.”

‘“IOU’ is a found textual treasure,” she noted in the work’s description for her letterpress exhibition, which “required minor adjustments to color to address major historical wrongs.”

The message of the piece, Kay wrote was “both a promise and an apology to that tribe, and by extension, to the many other indigenous peoples whose rights and treaties have been trampled over the years.”

“I would love to do it large, billboard-size,” she told me, her hands outstretched. “This is a work that I would still like to get out in the world, as a message,” Kay said.

Me too.

 

How Art Can Make You Happy Bridget Watson Payne

112 pages of joy

While I’m trying to decide if I’m going to make the trek out to The Frieze Art Fair, I read Bridget Watson Payne’s new gem of a book, How Art Can Make You Happy (Chronicle Books, May 2017).

This golden book begins: “Once upon a time you loved art.” Now, you miss it. You miss experiencing it, because you’re too busy or too out of the loop or too whatever.

On these luminous pages, Bridget lights the way for lapsed or aspiring art-lovers, guiding the way to enjoying art, instead of being intimidated by the scene or guilt-ridden over your art history knowledge. She offers tips on where and when to see art, what to wear, and how to (not) talk to art snobs. She provides frameworks and names names to help you cultivate your own taste, which is “actually a pretty subversive notion,” she writes, “namely that it matters what you actually, personally, like.”

Art Canon

“The canon super-simplified so you can finally stop feeling bad about your lack of knowledge about that.” – Bridget Watson Payne

I adore art—believe in it; collect it, rave about it. I’m a fan of what Bridget calls “art’s potent brew of visual pleasure, intellectual rigor, myriad meanings, and unexpected worldview.”

But I ask myself: Am I really going to skip the Frieze Art Fair?

We get to the heart of this question on page 53: OFFICIAL PERMISSION REGARDING BLOCKBUSTER SHOWS.

“You think, ‘I should go to that,’” she writes.

Yep, I think. But getting there involves the subway, a ferry, and a bus; all running on Sunday schedules. And it’s supposed to rain. I went to the New Museum yesterday, but I should…

I’m doing the guilty thing she dedicates most of her book trying to talk us out of doing.

How Art Can Make You Happy celebrates the many alternatives to should-ing on ourselves:

  • Look at an art book. Slowly.
  • Hang up some art on your wall, already. Really. Frame it. Pound in a nail. Put it up. And enjoy it, daily.
  • Seek out local public art with the Public Art Archive.
  • Gaze at the art “hiding in plain sight.”
  • Watch kids make art.
  • And I’ll add: Keep reading the work of art that is her book.

But mostly, Bridget shares:

SECRET #1: You have time to go to the big blockbuster art shows, if you want to.

SECRET #2: You don’t have to go to the big blockbuster art shows, if you don’t want to.

The simple truth is that we do make time for what is important to us.

Experiencing art is deeply important to me. For many reasons, including why Bridget believes in the magic of art, writing: “Art awakens you to three profoundly important realities.”

They are:

One, the reality of the world.

Two, the reality of other people.

Three, the reality of yourself.

Sometimes this means going. Sometimes this means bowing out of the way and enjoying others, enjoying art. Sometimes, I realize, this means continuing to be perfectly happy doing what I’m doing.

Am I going to find my way to Randall’s Island or simply continue hearting posts on Instagram by @friezeartfair, @artsy, @artforum, and @publicartfund? I haven’t decided, yet.

Nicholson Baker

New words spoken by a new interest, who was introduced by a new favorite author

But next time I’m near The Strand, I’m definitely stopping in to look for a book by Nicholson Baker. Bridget introduced me to this author extraordinaire by including his quote on words. Fingers crossed. I’m hoping to find his essay collection, The Size of Thoughts.

Treasure hunting for art in its many forms–books, paintings, neon signs–brings me delight. So my many thanks to Bridget Watson Payne for this ray-of-sunshine reminder, illuminating the art of appreciating art for the sake of happiness.

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